By

Rob Jones

When it comes to entertainment the one and only Prince Rogers Nelson is at the top of the tree. In listing his talents it is more likely that a skill is left out rather than scratch around trying to find superlatives. Singer, songwriter, musician, arranger, producer, dancer and fashion guru are the areas of expertise that are most apparent.

However, if you read:

https://www.rhonddacynontaff.com/2015/12/prince-is-only-a-slave-to-his-rhythms/

it is crystal clear that the ‘Purple One’ has had a major effect on the shape of the contemporary music industry. His war against the ruling record company forces can be seen as a monumental force-and. this endeavour opened the door for a greater deal of artistic freedom.

His imprint upon contemporary culture cannot be underestimated and it is with extreme sadness that the passing of Prince came on April 21, 2016. The death of Prince occurred at his Paisley Park Estate, Chanhassen, Minnesota, near Minneapolis-and, it is without even a consideration that aside of illness this wondrous workaholic would have been turning fresh ideas in to another reality. The productivity of this supreme showman was second to none and he had even performed recent dates although fragility has curtailed an April 15 gig.

A super human studio stamina resulted in a rate of albums that equated to almost a release per annum since 1978 and a surfeit of sublime singles taking in funk, soul, rock, R n B, jazz, hip hop, psychedelia and more always made the radio a better listening experience. It was most noticeably in the 80’s that those mega-hits came flying out of a non-stop assembly line. The albums such as 1999, Purple Rain (with an accompanying movie of the same name), Around the world in a Day, Parade and Sign O’ the Times had this legend at the peak of his powers-and, the Top 40 was awash with chart champions that brought in audiences from across the sonic spectrum.

1999, Little Red Corvette, Let’s go Crazy, When Doves Cry, Purple Rain, I would die for U, Raspberry Beret, Paisley Park, Kiss, Anotherloverholenyohead, Girls & Boys, Mountains, Sing O’ the Times, If I was your Girlfriend, U got the look and the list goes on! Every one of these tunes lit up the pop world-and, ultimately this decade proved to be the most commercially viable period for a diminutive and dexterous deity.

It is not as if the story ended there as his industry became anthems for other acts as well e.g. Manic Monday (The Bangles), Sugar Walls (Sheena Easton), Nothing compares to U (Sinead O’ Connor) and I feel for You (Chaka Khan-giving this lady her most productive smash). The range of artists who collaborated with Prince is endless and so are the credits. The recording went on and as the creative juices always sought after on stage reputation was immense.

On a subjective note it is a pleasure to put on any of the aforementioned albums or a compilation-and, there is absolutely no doubt that Prince has certainly had a positive effect on my listening experiences. There will be many deserved plaudits because we are talking about a legend. Along with the recent departure of David Bowie the world has lost a couple of Heroes (and, amazingly this maverick had paid tribute to the Thin White Duke with a cover of this phenomenal number during a late March 2016 gig that consisted of a breathtaking 57 songs!).

Talent is wrongly applied to a whole host of bankrupt here today, gone tomorrow wannabes. However, on a tragic day the globe has waved goodbye to the Diamonds and Pearls of one of the most influential icons of our (New Power) Generation. The doves will be crying as will many of his devoted disciples. Prince Rogers Nelson RIP.